An unusual gold toothpick enclosed in a fancy chic case for you to attach to a chain and have at the ready anytime you need one. This interesting deco piece is the unusual pendant you need to have with the rest of your "necessaries" about the neck. It will display nicely with your gold pencil and other attachments. C1930. The chain is not included.
Victorian 18K Carnelian agate swivel ring of a bearded man in profile. The fiery orange red glow of the Carnelian stone mesmerizes and the feel of the revolving swivel makes this a unique and very pleasant ring to won. The bearded unknown man is beautifully carved on one side while the other side is plain. The ring is .75 inches long and .5 inches wide and fits a size 7-7.5 and fairly large in scale and has great presence. The last photos show the scale of the ring relative to other signets.
c. 1820. Cup: 3 1/4" diameter x 2 1/4"Height. Saucer: 5 1/2" diameter. Color over Adam Buck style bat prints. Condition: excellent
We have 3 of these c 1810 Wedgwood 8" pearlware dessert plates with lavender ground at each.
Condition: excellent Height: 8 inches
The Davenport Factories at Longport were established by John Davenport. Little is recorded about these pre-1830, high quality porcelains. Marked specimens are rare! This wonderful platter dates to around 1820 and is 8 1/2" X 10". Condition: excellent
Mason's popular pattern in a hard to find soup plate, 9 1/4" diameter. Condition: excellent
Stickpins, also known as tie pins, have been collected since the 18th century when neckwear for men came into fashion. They were made in all manner of styles well into the 20th century, with no limits to the imagination as the pursuit of novelty came into full swing. The sun moon and stars motif represents the flow of time as our world cycles through from day to night...
Ashworth ironstone dinner plate in an imari pattern, known as the "Rose Pattern", c1865 priced at
Condition: excellent Height: 10 inches
This is a famous Coalport Porcelain pattern, known as "regency"or "money tree". It is the pattern in Buckingham Palace. The colors are bold, reflecting the attempt by the Coalport factory to compete with Chinese and Japanese porcelain imports and to cater to the English love for Oriental colors and patterns, during the Regency period.C. 1810, 8 1/4" diameter. Priced each. Condition: excellent
We love the pleasing niello design of the dotted squares on these substantial cufflinks. The word "niello" is a derivation of the Latin word for "niger" meaning black. Niello was an ancient of silver decorative technique revived by a German jeweler in Paris in the early part of the nineteenth century. It is done by engraving a design on the silver, and filling the recesses with an alloy of lead, copper, sulphur, and silver...
This early sugar bowl is charmingly decorated with a transfer printed mother and child design. Ca 1780. 3 3/4"dia x 2"H Condition: excellent
Jewelers produced tie pins in the 19th century to meet the increasing demand for novelty jewelry. The spiral ridge near the top of the pin helps to hold the item of clothing, whether it be a tie or a scarf, securely in place. The increasingly liberated and activism of women toward the later half of the 19th century gave rise to a new class of sporting jewelry. Many an equestrienne was wearing horseshoe pins to the lapel of her riding clothes by the 1880's...
This Ridgeway porcelain shell shaped dessert dish is painted in beautiful colors, c. 1825.
Condition: excellent Height: 8 inches Width: 8 inches
c. 1770, 6 1/2"L x 1 3/4"W x 4" Height. Condition: excellent
Sophisticated and smart double sided 18K French cufflinks with the "owl" hallmark. The cufflinks are marquis shaped with 4 X's, or "kisses". The construction of the cufflinks is extremely well thought out, as the "free" end of the cufflink toggles on a hinge so it can be pulled with ease through the back cuff. For the French cuff type of guy!
Worcester, Dr. Wall period soft paste porcelain tea bowl and saucer in the "fence" pattern, a well known transfer design, circa 1775
Condition: excellent
c. 1800. Cup: 3 1/4" diameter x 2 7/8" height. Saucer: 5 1/4" diameter. Condition: excellent
This beautiful Coalport porcelain dessert plate Ca 1810 has a Chinoiserie "tree of life" design.
Condition: excellent Height: 8.5 inches
This is a famous Coalport Porcelain pattern, known as 'money tree'. The colors are bold, reflecting the attempt by the Coalport factory to compete with Chinese and Japanese porcelain imports and to cater to the English love for Oriental colors and patterns, during the Regency period.
Condition: excellent Height: 9.5 inches
This is a famous Coalport Porcelain pattern, known as "regency" or "money tree". It is the pattern in Buckingham Palace. The colors are bold, reflecting the attempt by the Coalport factory to compete with Chinese and Japanese porcelain imports and to cater to the English love for Oriental colors and patterns, during the Regency period.c. 1810, 9 3/8" diameter. Priced each. Condition: excellent
Beautiful porcelain dinner size plate (9 3/4" diam) from Chamberlain's Worcester Factory with a stylized Bow pattern. Rarely is early 19th Century English porcelain marked. We guarantee that it is Chamberlain's Worcester. Beautiful condition, no repairs.
Condition: excellent Height: 9.75 inches
c. 1810. 6" x 7 1/4" oval. Condition: excellent
c.1820, 9 3/8" diameter. Priced at $ 550.00 each. Condition: excellent
This Coalport porcelain dinner plate, pattern #835, is decorated with a maltese cross design in exquisite colors, circa 1815.
Condition: excellent Height: 9 inches
c. 1810. 6 1/4" x 8". Condition: excellent
Popular plate form from a dessert service of the "Fisherman" pattern printed in underglaze blue. Impresed "Salopian" mark and printed initial "S", 8" diameter. Ca 1775. Condition: excellent Height: 8 inches
We love our wonderfully esoteric Grotesque man (or "other") crafted by a talented unknown carver in the 19th century from a chunk of the most desirable orange-red toned coral. Connoisseurs of literature or theater or the arts understand the term Grotesque as referring to fantastical, exaggerated or distorted representations, usually of the human face or figure...
c. 1800. Cup: 3 1/2" diameter x 2 1/4"Height. Saucer: 5 1/2" diameter. Color over Adam Buck style bat prints. Condition: excellent
A good example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines, made in the late nineteenth century. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several and secretive colors of enamel paints, known as "dust" paints. This resulted in very fine and realistic studies of the different models...
c. 1820, 9 1/2" diameter. Condition: excellent
This is a rare example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines which were made around the turn of the 20th century in foundries in Austria and Vienna. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several coats of a special and secretive type of enamel paint, resulting in very detailed and life like miniature figures...
This rare sterling silver filigree thimble is very old, circa 1810.
Condition: excellent
C. 1820, 2 1/2"W x 6 1/2"L x 1 1/2"H. Condition: excellent
C. 1820, 1 3/4"W x 4 1/2"L x 2 1/2"H. Condition: excellent
Sterling silver ring with a horse shoe motif as its central feature, set in sterling silver, complete with hallmark and maker's mark S & G. Silver jewelry was popularized in the last quarter of the 19th century because of the discovery of the Comstock Lode in Nevada in the 1860's, which had the effect of greatly increasing the world supply of silver.
The band integrates with the central horseshoe and that is how we know it was originally and cleverly designed to be a horse shoe ring...
c.1810, from John Rose Factory. Saucer: 5 1/2" diameter, Cup: 3 1/2" dia x 2"Height. Condition: excellent
description needed for Cameo Stick Pin of Psyche
A rare example of the remarkable talent behind the wonderful Austrian Bronze hand painted bronze miniature figurines which were made around the turn of the 20th century in foundries in Austria and Vienna following a period (mid nineteenth century) when realism and and naturalism were in vogue...
Wonderful to wear as a pendant this retractable pencil slides into an enameled gilded mummy. In the 1870s-1880s, the Egyptian Revival styles were in vogue as archaeological digs discovered ancient tombs that brought to light rare finds. Their motifs were incorporated into jewelry, objects, furniture, glass and pottery.
Mason's originated this patten. These are marked Newstone # 2862. c.1820, 9 1/2" diameter. Priced at $ 725.00 each. Condition: excellent
Derby porcelain spill vase in the Brocade pattern, one of the rarest, hardest to find, desirable and beautiful patterns made. The pattern was made for the Persian market of the period, c1810. The vase measures 3 1/2" high by 2 1/4" in diameter.
Lovely carved bracelet of polished jet. Jet was a form of fossilized coal that was discovered in the town of Whitby, England in the late 18th century...
c.1830, $750 for each plate or buy all 18 for $13,500. Each plate measures 9 1/2" in diameter. Condition: excellent
Lovely early Victorian angel skin coral ring with 10 carved florets and one large carved coral flower at the center, set in a pleasing symmetrical pattern. This ring has a 9K gold band while the coral florets are set in a metal bed. The Victorians loved angel skin coral, which is a red-orange or light pink colored coral, and they especially loved coral cut into cameos, flowers, or fruit. This ring has a rather large head and is therefore best worn alone. This ring is a US size 7.75.
The agate that comprises our Victorian flower cluster brooch is handcrafted with a high degree of skill and meticulously carved to fit its sterling silver mount. With a singular focus on the agate’s natural beauty and no distracting ornamentation, our 19th century brooch has a surprisingly modern look. Both the towns of Edinburgh and Birmingham made agate jewelry a specialty of their workshops, of which our flower cluster is a fine example...
This is a good example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines which were made around the turn of the 20th century in foundries in Austria and Vienna. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several coats of a special and secretive type of enamel paint, resulting in very detailed and life like miniature figures...
Delightful Victorian deep blue Vauxhall glass bug will be wonderful to wear for dress up or casual events. Vauxhall mirrored glass jewelry was made at the Vauxhall Glassworks in the outskirts of London, as a way of using their extra shards of mirror glass. It was sold to courting couples at the Vauxhall Pleasure Gardens, and became immensely popular for its intense colors and the exceptional quality of the glass...
still need a description for this one and trocadero does not let me move on if description is not longer than title
This is a rare example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines which were made around the turn of the 20th century in foundries in Austria and Vienna. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several coats of a special and secretive type of enamel paint, resulting in very detailed and life like miniature figures...
c. 1780. Saucer: 4 3/4" diameter. Cup: 3"diameter x 1 3/4" Height. Condition: excellent
This impressively hand painted pattern was the one chosen by Lord Nelson for his dinner service, 7 1/4" DIAM. Condition: excellent
c.1810, 8"L x 8"W. Condition: excellent
This is a sterling silver Victorian chain with a fine link intertwined with 9K ornamental gold balls that add interest and color...
This enchanting ruby band ring has 5 rubies displayed in a linear formation along the face of the polished gold band, which has a gold "leaf" carved into the band that in a charming manner appears to be "reaching" around to capture the gemstone mounted face of the ring. Our 15K Edwardian ruby band ring is hallmarked Birmingham for the year 1907. It has a maker's mark of "L BROTHERS". The ring weighs 2.1 grams and is a size US 7 3/4.
HM 1916 Birmingham, our Victorian "message" ring with the word "Mizpah" engraved on either side (Miz on one side of the turquoise forget-me-not and Pah on the other side) is an example of the romantic message jewelry that was so popular in the era. The word Mizpah is a Hebrew word that symbolizes the bond between two people separated by an act of war or other forced estrangement. The message comes from a quote in the Old Testament book of Genesis and reads "And Mizpah; for he said, the Lord watc...
Classical Victorian hallmarked bangle bracelet with three rows of tiny fleurons and X shaped patterns running horizontally across the bangle with reeding in between. Our bracelet is hallmarked 1883 Birmingham and is in pristine condition. It is approximately 1/8 inch deep, 1 inch wide, and measures a fairly ample 7 3/4 inch in diameter, suitable for most any size wrist.
c. 1780. Priced at $ 890.00 each. Condition: excellent
c. 1780, 3"W x 5"H. Condition: excellent
c. 1790, 8"H. Condition: excellent
Smart and tailored gutta percha necklace or collar, tie it on and walk away. Gutta percha is a black or brown hard rubber like material made from the sap of a Malayan tree. In the late Victorian period it was molded in various forms to make jewelry. This necklace measures 13" long by 1 1/4" at its widest
